Yet there, floating above the traffic, is Renée Zellweger’s perfect cream-puff face as Bridget Jones, and we might as well be living in 2001. I point these things out because it’s rare to find a square inch of New York that has remained unchanged for roughly 15 years, and the same is true of both Hollywood actors and Hollywood output. The street’s atmosphere is foul enough that it creeps onto the sidewalks bordering it for a couple of months this summer, a sign posted at Broome and Thompson Streets begged people not to leave mounds of garbage on the corner. Renée Zellweger’s startled pout overlooks what must be the city’s densest concentration of honking, exhaust-belching, rage-propelled vehicles. $22.95.įor weeks now, there has been a billboard for “Bridget Jones’s Baby,” the movie, above the Holland Tunnel traffic in downtown Manhattan. BRIDGET JONES’S BABY The Diaries By Helen Fielding 219 pp.
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